When the light touches on your skin
Assembled ensemble
Surreal, more real than reality itself
Inhale through eyes, exhale through ears
Jam with invisible relationship
Spiral Drawings
Behind the scenes
Zero to Circle
Make your own monsters
Chasing, and following the light not only with eyes, but also with my hand, sense of touch, the edge of perception. Extracts from the light reflection, rearragned configuration of the light trace every second. Also, this is practice of connecting my perception, mind, body within the presence and time.
이 스터디는 파장으로 전달되는 빛의 언어를 재구성한 하나의 악보에서 출발한다. 투명한 물질을 통과하는 빛의 커스틱 현상을 관찰하고, 태양전지를 통해 빛의 강도 변화를 소리로 변환한다. 생성된 사운드는 빛과 유리 컵 사이에서 발생한 비인간 물질 간 상호작용의 기록이다. 이 작업은 짧은 시간과 공간의 점유 속에서 발생하는 비가시적 관계를 추적하며, 소리를 통해 물질 시스템 안에서 생성되는 인지와 교환의 과정을 드러낸다.
This project translates light phenomena into sound by observing caustics formed when light passes through transparent material. Using a solar cell, variations in light intensity are captured and converted into sonic signals, creating a record of interaction between light and glass. The resulting sounds document fleeting moments of spatial and temporal occupation—events that emerge through nonhuman material exchange. The work explores how perception and interaction arise within material systems, proposing sound as a medium for tracing invisible relations between light, matter, and space.
이 프로젝트는 인간의 개입으로 형성된 현상이 여전히 자연으로 간주될 수 있는지를 질문한다. 빛에 의해 왜곡되고 굴절된 이미지를 통해, 보이는 표면과 실제로 작동하는 조건 사이의 차이를 탐구한다. 비스보스의 수질 오염 사례를 참조하며, 기름과 같은 가시적 오염과 미세 플라스틱, PFAS처럼 보이지 않는 오염을 대비시킨다. 이를 통해 자연 환경 속에서 인간이 만들어낸 과정들이 어떻게 비가시적으로 작동하는지를 드러낸다.
This project questions whether a phenomenon can be considered natural when shaped by human intervention. Using light-based distortions and reflections, it explores how visual appearances can obscure underlying conditions. Referencing water contamination in the Biesbosch, the work contrasts visible pollution, such as oil on the surface, with invisible contaminants like microplastics and PFAS. It focuses on the gap between what we see and what actually affects ecosystems and human life, examining how human-made processes increasingly operate beneath the surface of natural environments.
Jam with Invisible Relations is a sensory and participatory workshop that explores how we can re-attune to invisible relations between humans and non-human entities. Starting from an everyday object — a water bottle — that sparked the artist’s reflection on attention and relation, and extending through the archival box connected to The Clock Wife, A Tale of a Tub exhibition, the session invites participants to listen, touch, and respond to objects as living companions. Through sound, drawing, and shared reflection, participants collectively explore how invisible connections emerge — between object and body, story and sound, physical presence and digital translation. This workshop aims to recalibrate our sensory perception, expanding our understanding of care, community, and coexistence beyond the human.